Here, the Sacred and the Profane exist side by side. The Sacred requires a ritual of chosen, slow and restrained motions, in a locus that is itself sacred, and provides visibility to the word made flesh. The Profane, through the simplicity of the words’ diction, playing, singing and speaking, invents a colourful space, one that is heterogeneous to itself. Within both configurations, the voice is ever present, as an anchor or a daymark. It carries the Word, either in presence or absence, opening or unveiling, and shines through the space-time of each piece.
