Category

Artistas

La Camera delle Lacrime et le Jeune Choeur de Dordogne

La Camera delle Lacrime

By | Artistas | No Comments

La Camera delle Lacrime et le Jeune Choeur de Dordogne

Grouped together around Bruno Bonhoure and Khaï-dong Luong as of 2004, the members of La Camera delle Lacrime are committed to showcasing and rediscovering heritage works while renewing them through their creative interpretative choices.

With the assistance of specialists and scholars who gravitate around the group, La Camera delle Lacrime offers historically-based programmes that dramatize the musical repertoire with the aim of making it more intelligible.

The ensemble’s name is an homage to Dante Alighieri, poet and friend to troubadours. Dante spoke of this ‘Chamber of Tears’ as a place where he would overcome distress and return to his roots, re-emerging with newfound energy.
Bruno Bonhoure – Musical Director, Solo Voice

Born in 1971 in Aurillac, Bruno Bonhoure carries with him the heritage of the songs and tales that punctuated the peasants’ daily life in the Haute Auvergne. Dedicating himself first to art history, his need for and love of the stage led him to Paris.

Compared to the ‘Bildung’ by Carlo Ossola (Professor at the Collège de France) and to Giovanna Marini by Lionel Esparza (Radio France), the quality of Bruno Bonhoure’s voice, his stage presence and his personality make him one of the most captivating of French tenors.

As the ensemble’s musical director, Bruno Bonhoure promotes the Occitan language through multidisciplinary shows. His creations offer a new interpretation of this historical-musical repertoire and have been praised by the Languedoc Academy of Arts, Letters and Sciences.

Khaï-dong Luong – Staging, Scenography, Artistic Co-Producer

Born in Cambodia in 1971, Khaï-dong Luong arrived in France after fleeing the Khmer Rouge. With a degree from the Agrégation des mathématiques and a Master’s in film studies, his main focus is the creation of alternatives to pre-established styles. Thus Khaï-dong Luong restructures the usual formats and brushes aside convention in order to surprise and innovate. His contemporary vision of how to interpret historical repertoire has led him to consider new methods of communication, along the lines of the participatory show based around the Red Book of Montserrat.

A protean artist, while in Chicago he co-wrote the documentary Someplace Else, which was selected by the Los Angeles, New York and Chicago Film Festivals, as well as a series of animated films selected by the Annecy Festival.

website

disques

videos

170A8256-1-scaled

La Chapelle Rhénane

By | Artistas | No Comments

170A8256-1-scaled

Founded in 2001 by tenor Benoît Haller, the Chapelle Rhénane is an ensemble of solo singers and instrumentalists. The team is dedicated to revisiting the great works of the European vocal repertoire. Its ambition is, through concerts and recordings, to reveal in these works the emotion, humanity and modernity capable of appealing to a wide contemporary audience. The challenge constantly taken up by the Chapelle Rhénane is to demonstrate that so-called classical music does not belong to the past, that it is not a collection of sound monuments to be contemplated with distance and respect, that it is not the preserve of a learned and privileged elite.

website

disques

Photo-groupe artiste

La Note Brève

By | Artistas | No Comments

Photo-groupe artiste

La Note Brève is an early-music ensemble, a close-knit group of singers and musicians who specialise in the repertoire and share a desire to promote the music of the Middle Ages and the Renaissance. La Note Brève revisits music from many centuries ago using the latest musicological methods, working from period treatises and facsimiles and playing on period instruments. Since its creation, La Note Brève has performed at the most important festivals in France and Europe. It also has a long-standing partnership with the Musée des Tissus in Lyon, the city where the ensemble was first founded.

website La Note Brève

disques

La Quinta Pars

By | Artistas | No Comments

Morgan Marquié Lute
Ondřej Hanuš Recorders
André Costa Violin
Haruna Nakaie Viola da gamba
Lucas Alvarado Viola da gamba

L’ensemble La Quinta Pars

Une des particularités de La Quinta Pars réside dans la diversité culturelle de ses cinq musiciens, aux spécialisations artistiques variées et issus des quatre coins du globe.

En écho aux tableaux de la Renaissance représentant des musiciens concertant au moyen d’un mélange éclectique d’instruments anciens tels que les violes de gambe, flûtes à bec, violons et luths, La Quinta Pars associe avec générosité la diversité sonore et expressive de son instrumentarium. Cette variété de timbres permet de souligner l’indépendance de chaque ligne de la polyphonie et l’individualité de chaque artiste, tout en nourrissant une large texture sonore, ample et unitaire.

À travers une démarche d’interprétation cherchant à valoriser les richesses esthétiques et humaines de l’Europe de la Renaissance, l’ensemble propose une relecture approfondie de certaines des innombrables sources imprimées et manuscrites de cette période nous étant parvenues.

Conscients des limites artistiques d’une transmission musicale par l’écriture, restreintes à un texte brut devant être enrichi par l’interprète en fonction de sa personnalité et de critères techniques informés, les musiciens de La Quinta Pars rejoignent les procédés d’oralité propres à une interprétation collective, spontanée et imparfaite.

Depuis sa création, l’ensemble s’est produit au sein d’institutions lyonnaises telles que la Chapelle de l’Hostel Dieu, l’Auditorium de l’Orchestre National de Lyon, l’Auditorium de L’ENS et l’Auditorium des Archives départementales de Lyon. En région, l’ensemble se produit régulièrement dans le cadre de festivals et d’associations de Musiques Anciennes tels que les festivals de Mars en Baroque, Besançon/Montfaucon, Buëch Durance, La Plaine au Coteau, Orgues et Patrimoine en Maurienne, les Orgues du Pays Roussillonais, Saint-Antoine l’Abbaye… En Europe, l’ensemble s’est produit en République Tchèque dans le cadre du festival Musica ad Confluentem (České Budějovice), du St. Wenceslas Music Festival (Ostrava) et des soirées musicales de la National Gallery (Prague).

​En 2021, La Quinta Pars est Lauréate du concours de musique de chambre du festival de Sinfonia en Périgord.

En 2023, L’ensemble est diplômé du Master de Musique de Chambre du CNSMD de Lyon et enregistre son premier CD en collaboration avec Rolf Lislevand (Moose Studio, Norvège).

website

disques

La Quintina

La Quintina | direction Jérémie Couleau

By | Artistas | No Comments

La Quintina

Fondé en 2019, l’ensemble tire son nom d’un idéal de la musique Sarde. La quintina est cette cinquième voix produite, sans être chantée, par les harmoniques de chanteurs en état de grâce. Ce sommet musical et esthétique constitue un héritage vivant d’une culture européenne dont les origines remontent au Moyen Âge et à la Renaissance. Réunis autour de Jérémie Couleau, les musiciens de La Quintina font revivre certaines polyphonies oubliées sans se limiter dans le temps ni dans l’espace.

website La Quintina

disques

Photo 2 Laterna Magica pour CD Mimesis

Laterna Magica

By | Artistas | No Comments

Photo 2 Laterna Magica pour CD Mimesis

In the present recording, the Laterna Magica ensemble extends the intentions of one of the greatest Italian opera composers by offering previously unpublished arrangements of famous Handel arias reworked for two recorders and basso continuo. Even more than Bach, Handel drew his inspiration from the repertoire, unscrupulously plagiarising themes or entire passages without making major changes, with the aim of giving new life to the original, integrating it perfectly under a new garb, without stylistic hiatus.

website Laterna Magica

 

disques

videos

L.Cabasso - n°1 - ok

Laurent Cabasso

By | Artistas | No Comments

L.Cabasso - n°1 - ok

Laurent Cabasso studied at the Conservatoire National Supérieur de Musique de Paris (with Yvonne Loriod, Jean Hubeau and Christian Ivaldi) where he obtained First Prizes in Piano and Chamber Music, the year he turned eighteen. He then went on to advanced studies with Nikita Magaloff, György Sebok, György Sandor and Norbert Braïnin. He also studied with Désiré N’Kaoua, and later in London with the famous piano teacher Maria Curcio-Diamand, who was an Arthur Schnabel’s disciple. After winning prizes at several international competitions (Geza Anda Prize in Zurich in 1982, Tokyo in 1983, finalist at the Clara Haskil Competition in Vevey in 1987), he embarked on a major international career. He gives regular recitals and concerts in such centres as Paris (Théâtre des Champs-Élysées, Salle Pleyel, Philharmonie), Zurich (Tonhalle), Amsterdam (Concertgebouw), Geneva (Victoria Hall) and Salzburg (Festspielhaus), and appears at festivals like La Roque d’Anthéron, Piano aux Jacobins, la Folle journée de Nantes, Besançon, and Montpellier, as well as in America and Asia. He also takes part in concerts as soloist with orchestras including the Suisse Romande, Monte-Carlo, Zurich, Capitole de Toulouse, Ensemble Orchestral de Paris, Lausanne Chamber Orchestra, Orchestre National de Lyon, Orchestre National de France and the Orchestre National de Lille with conductors such as Charles Dutoit, Ferdinand Leitner, Serge Baudo, Armin Jordan, Tibor Varga, Jean-Claude Casadesus, Emmanuel Krivine, Michel Plasson…

disques

L Ramezan

Layla Ramezan

By | Artistas | No Comments

L Ramezan

For many years, Iranian pianist Layla Ramezan has been searching for and creating links between her Persian heritage and the contemporary music that is a part of her daily life.

As a concert pianist, Layla performs regularly in France and Switzerland, as well as in many places further afield. She has recently appeared in recitals at the Collège des Bernadins in Paris, Carnegie-Mellon University in Pittsburgh, Victoria Hall in Geneva, Royal Irish Academy in Dublin, Aga Kahn Museum in Toronto, Roodaki Hall in Tehran, Hafez Hall in Shiraz, and at major festivals such as the Athénéennes in Geneva, the Schubertiade in Sion and the Alba Music Festival in Italy. Her con-certs have been broadcast on Radio France, RFI, Radio Suisse Romande, NPO Radio Netherlands and CBC Radio Canada, Deutschlandfunk Kultur, WDR 3 Kultur and Norway Radio.

Along with her solo projects, Layla has had the privilege to work with many prominent musicians such as William Blank, Helmut Deutsch, Jean-Claude Pennetier and Philippe Albera and has per-formed with Jean-Marc Luisada, Eliane Reyes, Christophe Beau, Brigitte Balleys and Trio Chemi-rani . She has also worked closely with composers such as Tristan Murail, Luis Naon, Nicolas Bolens and Michael Jarrell.

As the pianist in the contemporary music ensemble “Matka” which is based in Geneva, she is the driving force behind several intercultural musical projects, bringing together Iranian, French, Swiss and American composers for global conferences, residencies and concerts. Layla was a member of the jury for the tenth edition of the Youth National Festival of Music in Tehran. She is a founder and the Artistic Director of the Barbad Piano Prize in Shiraz, Iran. As well as her interest in promot-ing her own cultural heritage, she has played for the United Nations in Geneva for a special event to raise awareness of violence against women organized by ten African ambassadors.

Layla is currently preparing a four-part CD series on the Paraty label for her project, 100 years of Iranian Piano Music. The first CD of this quartet, Iranian Composers from 1950, was released in January 2017 and the second one, Sheherazade has been released in May 2019.

Layla’s sound, her phrasing, her sensitivity to rhythm and a refined interpretation are the feature qualities of her piano playing. Her unique point of view has been formed by the intersection of two cultures, in both of which she feels comfortable. Layla is continually searching for new ways to ex-press herself by allowing the oriental and occidental influences to inspire and complement each other.

Layla started her piano studies in Tehran with Mustafa-Kamal Poutorab, Raphael Minaskanian and Debar Hakimova before moving to Paris in 2000 to study at the École Normale de Musique de Par-is “Alfred Cortot” with Jean Micault and Devi Erlih with a scholarship. She also studied with Jacquel-ine Bourgès-Maunoury and Christophe Bukudjian at the Conservatoire National de Saint-Maur des Fossés, where she obtained a diploma of Music Studies with high distinction. She then moved to Lausanne, Switzerland, where she currently lives, obtaining two Master’s degrees in Interpretation and Collaborative Piano from the Haute École de Musique with Christian Favre and Marc Pantillon.

Layla Ramezan is a Laureate of the Engelberts Foundation for Art and Culture in Switzerland and the Albert Roussel Foundation in France.

website

disques

videos

Photo: Marco Borggreve

Le Parnasse français

By | Artistas | No Comments

Photo: Marco Borggreve

The Parnasse français ensemble, formed in 2000 by Louis Castelain, specializes in early music from the sixteenth to eighteenth centuries. The ensemble varies in size, from a larger form (with a choir, orchestra, and soloists) when the program consists of grands motets, to just an orchestra or a small number of musicians for madrigal or motet programs.

One of the unique aspects of the Parnasse français is that every concert includes at least one world re-premiere, which is the fruit of musicological research conducted in various library archives. Louis Castelain thus reconstructs scores based on manuscripts, recomposing the music as necessary when parts are missing. As a reflection of this work and of the Parnasse français performances, the ensemble has its own collection of scores (the “Maîtres du Parnasse français” collection) at the Centre de Musique Baroque de Versailles publishing house.

Since 2001, the Parnasse français has been invited to perform in many festivals (including the Festival de Sablé, the Grandes Journées Charpentier in 2004 and the Grandes Journées Lully in 2008, the Automne musical du Centre de Musique Baroque de Versailles, the Oudemuziek Utrecht, and the Festival de Pontoise). Its concerts have been broadcast on television (for the Arte channel, specifically the documentaries Lully l’incommode and Rameau l’incompris magnifique, and Maestro, about music during Henri IV’s time), on the radio (including for the stations France Musique, Radio Classique, and Radio Suisse Romande), and have been recorded (the Grands motets de Mondonville and Campra by MBF).

website

disques

videos

18_arnaud_marzorati

Les Lunaisiens

By | Artistas | No Comments

18_arnaud_marzorati

Lunaisians ? Of a sentence that is simple, but not banal (coming as it does from Raymond Queneau), we have made our commitment, and taken our ensemble’s name.

What is the sentence?

‘The Lunaisians are the inhabitants of the moon…’

We seized upon this inescapable definition, as beautiful as it is playful; to define and claim the artists we wish to be: Lunaisians.

Our creed: to meet, through music and through words (since we are singers of words) the multitudinous creations that abound in the musical repertoire; to open the borders between eras and shine as much on a madrigal by Gesualdo as on a pirouette of Offenbach’s, a Bach chorale or Béranger’s songs.

True, Lunaisians are great dreamers, since like Pythagoras they dream of the ‘music of the spheres’… But it was starting from a dream that led men to walk on the moon.

Already, several festivals and institutions have accompanied this ensemble as they serve their apprenticeship to this musical dream.  These include the Paris Opéra Comique, the Cité de la musique, the Utrecht Festival, the Centre de musique baroque de Versailles, Venice’s Palazetto Bru Zane, the Pontoise, Prague, and Île de France Festivals, the Conservatoire de Genève, the region of Picardy, etc…

Artistic Director : Arnaud Marzorati

website