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Artistas

Mar 26
2
Stéphane de Carvalho

Stéphane de Carvalho

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Stéphane de Carvalho

The guitarist Stéphane de Carvalho likes interpreting the repertoire which covers the periods of the Renaissance to the present day.

He also enjoys combining the guitar with the cello of Alain Meunier, the voice of the soprane Omo Bello and tenor Serge Goubioud, the harpsichord of Cédric Burgelin or the poetry told by Jean Jacques Epron.

Winning the First prize of the CNSM of Paris in the class of Alexandre Lagoya and Alberto Ponce, it is with Roberto Aussel at the Musikhochschule of Cologne that he affirmed his interpretative dimension, as well as in the class of chamber music cellist Alain Meunier and pianist Zhu Xiao Mei.

Aficionado of flamenco, he regularly goes to Granada, Seville, Jerez de la Frontera or Madrid to receive the teachings of the great masters and is currently dedicates himself to accompany the singing and flamenco dance on stage with his wife Tomomi Akao, a flamenco dancer.

He travels regularly to Spain, Italy, Portugal, Germany, Austria, Colombia, Chile, Bolivia, Mexico and has been awarded the Perez Nieto Prize at the M. M. Ponce of Mexico.

His first solo CD “Con Fuoco” featuring sonatas from the baroque Scarlatti to contemporary Ginastera has received great reviews from the public and the specialised press.

This second solo opus, “Cathedrals”, also released under the label Paraty, invites you to a trip to the South American continent where it highlights the union between the popular and the scholar …

 

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Aug 09
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Stéphane Orlando

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Since his first piano lessons at the age of 7, Stéphane Orlando has been composing and improvising music. He began studying at the Royal Conservatory of Mons (Conservatoire Royal de Mons) at the age of 15. After having studied piano, music writing and analysis, he won first prizes in counterpoint and then fugue at the Royal Conservatory of Brussels (Koninklijk Conservatorium van Brussel). During this period, he also studied musicology at the Free University of Brussels (Université Libre de Bruxelles).

In November of 2001, he became an improviser at the Royal Film Archive of Belgium (Cinematek), providing accompaniment for over 500 silent films.

Former President of the Belgian Society for Musical Analysis and President of the Belgian Composers Forum, he is also one of the creators of the BSCG, the Belgian Screen Composers Guild.

Stéphane Orlando divides his time between music composition, his improvised concerts, and the teaching of composition, improvisation, piano, music history and computer music.

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Nov 16
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Stéphanie Paulet & Elisabeth Geiger

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Stéphanie Paulet, violon

Après trois 1ers prix du CNSM de Paris, et plusieurs prix de concours internationaux en musique de chambre, Stéphanie Paulet a été le 1er violon de nombreux ensembles baroques parisiens, comme les Talens Lyriques, Il Seminario Musicale, le Concert d’Astrée. Elle est aujourd’hui le violon solo d’Insula Orchestra dirigé par Laurence Equilbey, orchestre créé en 2012 pour le répertoire classique et romantique. Titulaire du CA de violon, elle est professeur au CRR de Saint-Maur, et a enseigné le violon baroque à la Hochschule de Bremen pendant cinq ans. Attachée à une démarche historiquement éclairée, elle écrit pour son ensemble Aliquando créé en 2012, des spectacles mêlant textes et musiques. Aliquando a également réalisé deux disques: « Amusements » (2012) et «Minoritenkonvent» (2015), tous deux chaleureusement récompensés par la presse. «Chevalier des Arts et des Lettres» depuis 2014, Stéphanie Paulet aime partager sur scène avec le public, seule ou accompagnée, la beauté et l’évidence des musiques du passé. Elle a participé à une trentaine d’enregistrements discographiques sur instruments historiques.

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Elisabeth Geiger, orgue

Après sa formation au Conservatoire National de Région de Strasbourg dans les classes de clavecin, basse continue, musique de chambre et orgue, Elisabeth Geiger poursuit son parcours à l’occasion de stages auprès de Laurent Stewart, Yvon Repérant et Freddy Eichelberger. Attirée par la musique vocale, elle se dirige vers la Fondation Royaumont où elle rencontre Gérard Lesne, Jean-Claude Malgoire. Puis elle collabore régulièrement avec Doulce Mémoire, l’Ensemble Clément Janequin, les Ambassadeurs, le Concert Spirituel ou le Concert d’Astrée avec lesquels elle assume fréquemment les fonctions de chef de chant pour des productions d’opéras et cultive avec éclectisme les croisements avec d’autres expressions artistiques: musiques improvisées, danse contemporaine, projet « Love I Obey » avec la chanteuse Rosemary Standley.. Son intérêt tout particulier pour la musique de chambre à deux clavecins lui a permis de se perfectionner en ré-écriture, transcription, arrangement et improvisation, en lien avec le répertoire ancien. Outre le clavecin, l’épinette, la régale ou le virginal, elle approfondit sa pratique de l’orgue et a rejoint les organistes du Foyer de l’Âme. Assidue des fonds de musique baroque des bibliothèques parisiennes et européennes, elle montre une égale prédilection pour la facture instrumentale, et garde une curiosité pour les projets en devenir, mêlant pratiques et divers parcours…

 

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Jul 13
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Suzana Bartal

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Suzana Bartal is one of the upcoming piano talents of the young generation. Recent performances have taken her to prestigious venues such as the Beethoven-Haus in Bonn, Salle Pleyel and Radio France in Paris, Merkin Hall in New York as well as Milton Court in London.  Her appearances have been captured by France Musique. Other highlights of the past months include a Germany tour with violist Mariko Hara as part of the series “Best of NRW”. Their duo has been hailed as “brilliant, facettenreich und virtuos” and was recorded by the West Deutscher Rundfunk. Suzana’s playing has been described as having a “pearly touch and of absolute precision” by the Bonner Anzeiger.

In January 2015, Suzana made her triumphal debut with the Orchestre Avignon-Province in the Grieg Concerto under the baton of Wolfgang Doerner, as she stepped in very last minute for pianist Marie-Josèphe Jude. Her performance has received critical acclaim: “As soon as she lays her hands on the keyboard, the artist sets up a strongly marked personality. Her touch is sure, she shows perfect technique and plays with absolute simplicity pages of great complexity. Her sound is powerful and luminous (…)” – Le Marseillais.

Suzana Bartal has become the winner of the New York Concert Artists Concerto Competition in 2013 and has made her NYC debut with orchestra in 2014. She was also the winner of the 2012 Woolsey Concerto Competition allowing her to perform under the baton of Peter Oundjian.

A recipient of the prestigious scholarship from the Yamaha Music Foundation of Europe, Suzana has also been supported by the Fondation Nadia et Lili Boulanger, the ADAMI and the Williamson Foundation.

Suzana’s wide range of repertoire reaches from solo works and concertos to chamber music works, all of which she actively and passionately performs. She has given concerts all around the world: in Germany, Holland, Italy, Hungary, UK, Belgium, France and Romania as well as the US and China. Her performances have  been  captured  by  French,  German,  Hungarian  and  Romanian  radio  and  television  channels.

Suzana is also an enthusiastic advocate of contemporary music and has worked with some of the most significant composers of our day, such as Thomas Adès and Eric Tanguy.

Extremely active as a chamber musician, Suzana has performed with violinists Alexandra Soumm, Deborah Nemtanu, Guillaume Sutre and Hildegarde Fesneau, soprano Karen Vourc’h, cellist Yan Levionnois, clarinetist Pierre Génisson and musicians from the Philharmonique de Radio France orchestra (David Haroutunian and Pauline Bartissol) and the Orchestre de Paris (Anne-Sophie Le Rol and Eric Picard), among others.

Born in 1986 in Timişoara (Romania) into a Hungarian family, pianist Suzana Bartal started her musical education in her hometown. Only three years later she became a winner of national and international competitions and gave her first solo recital at the age of 12 and had her first concerto apparition at the age of 13. In 2005 she decided to move to France where she studied with Denis Pascal, Pierre Pontier and Florent Boffard in Paris and in Lyon at the CNSMD. Between 2011 and 2014, Suzana has perfected her skills at the Yale School of Music under the guidance of Peter Frankl. She is currently a candidate for a Doctorate of Musical Arts from Yale and has received the Harriet Gibbs Memorial Prize for excellency in studies from Yale. In 2013 – 2014 Suzana has been at Teaching Fellow at the Yale College.

Many distinguished artists have influenced Suzana’s musical and artistic development, such as: András Schiff, Leon Fleisher, Paul Lewis, Menahem Pressler, Jean-Claude Pennetier or Matti Raekallio, as well as the Ysaÿe Quartet, the Tokyo String Quartet or the Emerson Quartet. She has been invited to take part in the very selective International Musician’s Seminar in Prussia Cove (UK).

Her first album, an all-Schumann CD, was released by Paraty (Harmonia Mundi distribution) in March 2016.

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Mar 16
11
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Tomás Bordalejo

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Tomás Bordalejo

A self-taught composer and guitarist, Tomás Bordalejo arrived in Paris in 2005 after three years of jazz studies at the Institute of Contemporary Music in his native Buenos Aires.
He joined the conservatory of Gennevilliers, then the CRR of Paris and the Pôle supérieur de Création Paris- Boulogne-Billancourt. His meeting with the composer Bernard Cavanna at the Académie de Villecroze was decisive for his development, for his career. Peter Eötvös, Pascal Dusapin, Yan Maresz and Philippe Hersant also encouraged him to consolidate his own language marked by an original aesthetic.
Far removed from musical academism, Tomás Bordalejo draws on the worlds of sound he encounters as well as on exchanges with musicians to construct a music that is as abstract as it is lively and personal. His work is part of a real compositional research marked by a constant dialogue with other artistic disciplines such as architecture, urbanism or philosophy.
Each piece illustrates a staging of the sound material and a new reflection on the modes of play. Tomás Bordalejo has collaborated with the Ensembles 2e2m, TM+, Court Circuit, L’Instant Donné, Aleph, les Voix animées, l’Itinéraire, the THReNSeMBle (budapest) and the Geneva Chamber Orchestra; as well as with performers such as David Kadouch, Nöemi Schindler, Eric-Maria Couturier, Paul Meyer, Marianne Piketty, Jean Deroyer, Anthony Millet, Pierre Roullier, Nahuel Di Pierro, Alphonse Cemin, Vincent Lhermet, Gérard Caussé, Michel Portal…
Tomás Bordalejo’s music has been performed at the Colon Theatre in Buenos Aires, the Philharmonie de Paris, the Sorbonne University, the Lille Opera, the Théâtre de Gennevilliers, the Cartoucherie, the Athénée Louis Jouvet, the Théâtre du Châtelet, the Maison de la Musique in Nanterre, the Vichy Opera, the Abbaye du Thoronet, the Musée d’Art Moderne in Toulon…
Tomás Bordalejo is a laureate of the Fondation Banque Populaire and won the 2019 prize of the Tribune de Compositeurs.trices de l’Argentine (TRINAC). He is president of the ensembles 2e2m and Nomos.

 

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Nov 27
6
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Trio Atanassov

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Trio Atanassov

Perceval Gilles, violon | Sarah Sultan, violoncelle | Pierre-Kaloyann Atanassov, piano

The complicity uniting Perceval Gilles, Sarah Sultan and Pierre-Kaloyann Atanassov since the trio’s formation in 2007 stems from a common state of mind based on shared values: integrity, artistic demands, musical curiosity, human simplicity and a deep sense of sharing. Their demanding nature was acknowledged by the great masters of chamber music who coached the three musicians during their formative years in prestigious European institutions (Conservatoire de Paris, Vienna University, European Chamber Music Academy). According to Christoph Richter, for example: “The trio’s interpretations are built on constant research, incessant work and clear personal ideas about the works that make up their repertoire.” The craftsmanship of the three musicians, along with their unanimously praised clarity of purpose, enabled them to stand out in major competitions around the world. After coming first in the Frankfurt and Graz competitions, the Trio Atanassov earned awards in various renowned piano trio competitions including Osaka, Trondheim, Vienna (Joseph Haydn) and Weimar (Joseph Joachim). These awards became the building blocks of a career which has seen the trio perform all over Europe, from the Vienna Musikverein to the Alte Oper in Francfort, through the Wigmore Hall in London, the Ars Musica Festival in Brussels, the Sofia Philharmony or the Radio-France Festival in Montpellier as well as the Cité de la Musique in Paris. The trio’s concerts are often broadcast on European radio (stations include France Musique, ORF, HR2, RTS Espace 2, Musiq’3, BNR) and their first record (Smetana/Dvořák, Hänssler Classics 2013) garnered them a Diapason d’Or. Thanks to their insatiable curiosity, the three musicians have crafted a particularly diverse repertoire, from Haydn’s first Trios to contemporary compositions. This eclecticism enables the trio to arrange programs in which works from various time periods echo each other through a common theme.

 

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Aug 09
2
Trio Kaldei

Trio Khaldei

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Trio Kaldei

The Khaldei Trio brings together Barbara Baltussen (piano), Pieter Jansen (violin) and Francis Mourey (cello), three musicians with a passion for chamber music and, more speci cally, the unique sonority of the piano trio.

Since its rst concert in 2011, the Khaldei Trio has developed from a young, promising ensemble to a crowd favourite on Belgium’s biggest stages. In 2013, the trio was one of the six ensembles nominated for the rst edition of the Supernova competition. Over the last few years, the trio has performed in many cultural centres throughout the country, in prestigious venues such as the Centre for Fine Arts (Brussels), AMUZ (Antwerp), De Bijloke (Ghent) and the Concertgebouw in Bruges, as well as at numerous festivals in Belgium and abroad, including the Ghent Festival of Flanders, Festival 20/21, En avant Mars, the Spectrum Festival (Slovenia) and the Arsana Festival (Slovenia). The trio has also recorded for Belgian stations Canvas (television) and Klara (radio) and the Slovenian National Radio.

The Khaldei Trio has a particular a nity for Russian music from the rst half of the 20th Century, especially music by Shostakovich. The trio’s namesake, Evgueni Khaldei, was o cial photographer of the Stalin regime, and created striking portraits of all the great Russian artists of the time. The search for truth, authenticity and the nuances brought by this photographer to di cult moments throughout his life are a great source of inspiration for the trio.

The Khaldei Trio likes to bring together music from times past and present in its programs, introducing the public to music by lesser-known composers as well as the great masters. The program Debuts o ers trios by Gaspar Cassadó and Gillis Sacré together with Shostakovich and Sibelius. In the program WWI, Debussy’s sonatas and Ravel’s masterly trio accompany a magni cent trio by Enesco.

Belgian music also occupies a special place in the Khaldei Trio’s repertoire. Works by Jongen, Celis, Van Landeghem and Brewaeys are to be found on the trio’s music stands. In March 2015, as part of the two concerts that the trio gave during the En Avant Mars festival in De Bijloke (Ghent), the trio played an entirely Belgian program, in which works by Buckinckx and Swerts featured alongside premières of works by Ruben De Gheselle, Mirek Coutigny and Gillis Sacré.

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Jun 09
13
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Trio Zerline

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The Zerline Trio
Founded in 2017, the Zerline Trio is comprised of flautist Alice Szymanski, violist Estelle Gourinchas and harpist Joanna  Ohlmann.  Having  met  at  the  Lyon  Conservatoire  for  Music  and  Dance,  from  the  very  beginning of  the  trio’s  formation  these  three  musicians  felt  the  need  to  play  music  of  their  time  and  encourage the  creation  of  new  pieces,  while  proudly  promoting  the  uniqueness  of  the  repertoire  for  flute,  viola  and harp.  Particularly  fastidious  in  their  choice  of  music,  the  Zerline  Trio  benefits  as  much  as  possible  from  the precious  advice  of  the  composers  they  are  championing:  Martin  Matalon,  Alain  Louvier  and  many  more.
The performers are convinced that performing contemporary works demands the same level of excellence as  that  of  earlier  works  and  that  performing  a  wide  repertoire  enhances  their  interpretations.  With  this  in mind,  they  embrace  a  great  variety  of  aesthetics,  improving  and  developing  through  these  fertile  and constructive exchanges between the old and the new.

disques

Nov 28
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Vanya Pesheva

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Vanya Pesheva a pianist gifted with outstanding abilities including active performing and teaching activities. Her repertoire includes a variety of styles, primarily focusing on the important piano and chamber works, always interpreted with a keen emotional reflectivity and sensitivity, combined with intense expansiveness of musical expression and spontaneity of temperament. The artistic performing activity of the pianist covers to the same extent soloist and chamber sphere of music making, keeping fully the brightness of her interpretative uniqueness both in solo concerts and in terms of her partnership in various chamber ensembles. Music critics and many distinguished performers define her as: “… a bright musician with her own interpretational view, possessing all the qualities for an artistic career – brilliant technique and performer individuality” (Prof. Zheni Zaharieva); “…a musician gifted with exceptional artistic skills, technical capabilities and impressive emotionality” (Prof. Dimo Dimov); “…very mature music making with a deep understanding of the different styles in which the player invests her talent and great virtuoso brilliance” (Musical Horizons magazine). Vanya Pesheva began her intense concert activity very early, when at the age of 9 she participated in prestigious international forum Assembly “Banner of Peace” – Sofia.

This was followed by numerous awards from national and international competitions, including: the National Competition “Svetoslav Obretenov”, the National Creative Meeting for Pianists, the International Piano Competition “Dimitar Nenov”, and the International Piano Competition “Marsala” – Italy. Vanya Pesheva graduated from the music school in the class of distinguished teacher Eleonora Karamisheva and the National Music Academy in the piano class of Prof. Marina Kapatsinskaya and chamber music with Prof. D. Kozev and Prof. Dimo Dimov. In 2000, she was invited to specialize in the master class in interpretation of Prof. Carla Giudici in Rome. In his creative path of professional development, she enjoyed a great beneficial effect from the contacts with eminent musicians such as Prof. Ventsislav Yankov (Paris, France) Prof. Marcello Abbado (Italy), Prof. Dominique Weber (Geneva, Switzerland). As a pianist, she had individual classes with them and participated in their master classes. In the period 1998-1999, she taught piano in the Music Academy in Gwangju, South Korea, while at the same time had active concert activity in Seoul, Gwangju, Anyang, etc. For many years, she taught piano in the Piano Department and in the Chamber Music Department at the National Music Academy “P. Vladigerov” – Sofia.

Vanya Pesheva has successfully given concerts as a soloist with most symphony orchestras in the country. Her active performing career includes solo and chamber recitals in Bulgaria, Italy, Spain, Macedonia, France, Switzerland, South Korea; records in the Bulgarian National Radio and participations in prestigious music festivals, including “March Music Days”, “European Music Festival”, “Salon des Arts”,” Sofia Summer”, “Golden Lyre”, the International Festivals of Chamber Music – Plovdiv and Dobrich, the International Festival “Laureate Days of Katya Popova” – Pleven and others.

In 2010, she realized and released a CD “Piano Sonatas” with works by Ludwig van Beethoven, Franz Schubert and Sergei Rachmaninoff.

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disques

Jul 18
1
Varduhi Yeritsian

Varduhi Yeritsyan

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Varduhi Yeritsian

Born in Armenia on Labour Day and living in France since the age of 20, Varduhi Yeritsyan holds an uncommon place in the current pianistic landscape.  Through her twin cultures inherited by great masters such as Brigitte Engerer, Vladimir Krainev, Msitslav Rostropovich, Denis Pascal and Claire Désert, she is both a specialist in the Russian repertoire and a regular interpreter of the French repertoire.  After graduating from Yerevan’s Tchaikovsky Specialised Music School for gifted children, she studied at the Paris Conservatory (CNSMDP), where she obtained the highest prizes for piano and chamber music.  She then completed a postgraduate cycle in both areas, studying with, respectively, Brigitte Engerer – her true mentor ever since her arrival in France – and cellist Marc Coppey.

In 2007, Varduhi Yeritsyan won the Paris Conservatoiry’s Avant-Scènes annual student contest.  She has also won accolades from the Natixis-Banque populaire, Tarrazi, Nadia et Lili Boulanger, Meyer and Or du Rhin Foundations, and was named “Classical Music Revelation” by ADAMI, a French performers’-rights collective.

Since completing her studies with a performance of Aram Khachaturian’s Concerto at the Cité de la musique, she has been invited to multiple festivals (Folle Journée de Nantes, Festival de la Roque d’Anthéron, Piano aux Jacobins de Toulouse, Festival Berlioz de La Côte Saint André, Pianofolies de Touquet, Piano en Valois, Festival de Saint Lizier, Piano(s) à Lille, Les solistes aux Serres d’Auteuil, Festival international de violoncelle de Beauvais, Festival de Sully sur Loire, Festival Messiaen de la Meije) and has played on many French and international stages, including Paris’s Louvre Auditorium, the Cité de la musique and the Salle Pleyel, the Arsenal in Metz, Toulouse’s Halle aux Grains, Porto’s Casa da Musica, the Concertgebouw Amsterdam, the Hague Theatre, the Czech Philharmonic in Prague, the Sibelius Academy in Helsinki, the Estonia theatre in Tallin…

Renowned for her interpretation of Alexander Scriabin, whose cycle of ten sonatas for piano she regularly plays as a cycle, she is also a passionate chamber musician, sharing the stage with Brigitte Engerer, the Danel, Psophos, Zemlinsky and Ardeo string quartets, violinists Renaud Capuçon, Fanny Clamagirand, Hae Sun Kang, Geneviève Laurenceau and Jean-Marc Phillips-Varjabédian, cellist Marc Coppey, bassoonist Pascal Gallois, pianist François-Frédéric Guy, jazz pianist Tigran Hamasyan and dudukplayer Araik Bartikian.  She also particularly enjoys performing as soloist, and in recent years has played with conductors including Alain Altinoglu, Alexander Anissimov, Fabien Gabel, Claire Gibault, Christoph Koenig, Bruno Mantovani, Tugan Sokhiev and Zahia Ziouani, leading orchestras such as the Bretagne, Île-de-France and BBC London orchestras, that of Porto’s Casa da Musica, the Shanghai Philharmonic, the Strasbourg Philharmonic and the Toulouse Capitole Orchestra…

In 2010, she received funding from the prestigious Jean-Luc Lagardère foundation for her recording of Sergei Prokofiev’s music, released by Maestria Records in 2012.  Varduhi Yeritsyan has been a guest on many shows on Radio France’s “France Musique” channel, including Gaëlle le Gallic’s “Dans la cour des grands”, Arièle Butaux’s “Un mardi ideal” and Jean-Pierre Derrien’s “Le matin des musiciens”. She is an assistance professor of Denis Pascal’s piano class at the Paris Conservatory.

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