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August 2017

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Stéphane Orlando

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ob_920b3a_stephane-orlando

Since his first piano lessons at the age of 7, Stéphane Orlando has been composing and improvising music. He began studying at the Royal Conservatory of Mons (Conservatoire Royal de Mons) at the age of 15. After having studied piano, music writing and analysis, he won first prizes in counterpoint and then fugue at the Royal Conservatory of Brussels (Koninklijk Conservatorium van Brussel). During this period, he also studied musicology at the Free University of Brussels (Université Libre de Bruxelles).

In November of 2001, he became an improviser at the Royal Film Archive of Belgium (Cinematek), providing accompaniment for over 500 silent films.

Former President of the Belgian Society for Musical Analysis and President of the Belgian Composers Forum, he is also one of the creators of the BSCG, the Belgian Screen Composers Guild.

Stéphane Orlando divides his time between music composition, his improvised concerts, and the teaching of composition, improvisation, piano, music history and computer music.

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Seuls

Seuls

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Trio Kaldei

Trio Khaldei

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Trio Kaldei

The Khaldei Trio brings together Barbara Baltussen (piano), Pieter Jansen (violin) and Francis Mourey (cello), three musicians with a passion for chamber music and, more speci cally, the unique sonority of the piano trio.

Since its rst concert in 2011, the Khaldei Trio has developed from a young, promising ensemble to a crowd favourite on Belgium’s biggest stages. In 2013, the trio was one of the six ensembles nominated for the rst edition of the Supernova competition. Over the last few years, the trio has performed in many cultural centres throughout the country, in prestigious venues such as the Centre for Fine Arts (Brussels), AMUZ (Antwerp), De Bijloke (Ghent) and the Concertgebouw in Bruges, as well as at numerous festivals in Belgium and abroad, including the Ghent Festival of Flanders, Festival 20/21, En avant Mars, the Spectrum Festival (Slovenia) and the Arsana Festival (Slovenia). The trio has also recorded for Belgian stations Canvas (television) and Klara (radio) and the Slovenian National Radio.

The Khaldei Trio has a particular a nity for Russian music from the rst half of the 20th Century, especially music by Shostakovich. The trio’s namesake, Evgueni Khaldei, was o cial photographer of the Stalin regime, and created striking portraits of all the great Russian artists of the time. The search for truth, authenticity and the nuances brought by this photographer to di cult moments throughout his life are a great source of inspiration for the trio.

The Khaldei Trio likes to bring together music from times past and present in its programs, introducing the public to music by lesser-known composers as well as the great masters. The program Debuts o ers trios by Gaspar Cassadó and Gillis Sacré together with Shostakovich and Sibelius. In the program WWI, Debussy’s sonatas and Ravel’s masterly trio accompany a magni cent trio by Enesco.

Belgian music also occupies a special place in the Khaldei Trio’s repertoire. Works by Jongen, Celis, Van Landeghem and Brewaeys are to be found on the trio’s music stands. In March 2015, as part of the two concerts that the trio gave during the En Avant Mars festival in De Bijloke (Ghent), the trio played an entirely Belgian program, in which works by Buckinckx and Swerts featured alongside premières of works by Ruben De Gheselle, Mirek Coutigny and Gillis Sacré.

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Verklärte Nacht

Verklärte Nacht

Trio Khaldei / Shostakovich & Prokofiev

Trio Khaldei / Shostakovich & Prokofiev

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Pierre Lenert. Juin 2016. Photo Caroline Doutre

Pierre Lenert

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Pierre Lenert. Juin 2016. Photo Caroline Doutre

Viola Solo from the Paris National Opera Orchestra, Pierre Lenert is also laureate of the Markneukirchen International Instrumental Competition, Lionel Tertis, Maurice Vieux and the Autumn Festival of Young Interpreters.

Pierre Lenert is the only violist in Europe to have taken up the challenge to record the « 24 Caprices » of Niccolo Paganini in the viola version, since the integral made by Emmanuel Vardi in 1965 at Label Epic.

He is also Professor at the Ecole Normale de Musique in Paris.

Soloist and chamber musician, he is the guest of many international festivals such as BBC Proms, Schubertiades, Khumo, Gubio and the Marlboro festival.

His discography includes the complete work of Henry Vieuxtemps’s viola and piano work, as well as several recitals devoted to the music of Carl Reinecke, Niccolo Paganini and Felix Mendelssohn, Georges Enesco, Jean Françaix and Darius Milhaud.

Pierre Lenert is Artistic Director of the International Chamber Music Festival « SERENADE » as well as the Festival « LE GOUT DE LA MUSIQUE ».

By directing the Collection for Viola of Artchipel Music Publishing, as well as the Viola Music Collection of Livma Music Editions, Pierre Lenert enriches the repertoire of his instrument by discovering and rediscovering works originally written or transcribed for the viola.

Pierre Lenert plays the viola of Jean-Baptiste Vuillaume of 1865, « Comte Cheremetiev ».

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Bach & Hindemith

Bach & Hindemith

Paganini’s Complete Caprices / Trascribed for Viola by Pierre Lenert

Paganini’s Complete Caprices / Trascribed for Viola by Pierre Lenert

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RPharo_jpeg

Robin Pharo

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RPharo_jpeg

Robin Pharo studied the viola da gamba with Jean Louis Charbonnier, Caroline Howald, Ariane Maurette and Christophe Coin, at the Music and Dance’s National Conservatory of Paris. He is a founder member of the Quartet Nevermind with whom he won the third prize and the special festival prize at the Van Wassenaer competition in Utrecht. In 2015, Nevermind has been invited to play all over Europe, in Iceland and USA and has recorded with Alpha Classic Label. He has already worked with conductors such as Sigiswald Kuijken, Paul Agnew and Olivier Schneebeli. He played with the actor Benjamin Lazar in the show L’Autre Monde ou les états et Empires de la lune and has been engaged in numerous early music bands such as La Grande Ecurie et la Chambre du Roy (Jean-Claude Malgoire), L’Ensemble La Rêveuse (Florence Bolton and Benjamin Perrot), L’Ensemble Desmarest (Ronan Khalil), L’Ensemble Gilles Binchois (Dominique Vellard), Le Chœur de Chambre de Namur, La Capella Mediterranea (Leonardo Garcia Alarcon ), L’Achéron (François Joubert-Caillet), l’Ensemble La Tempête (Simon-Pierre Bestion de Camboulas), Vox Luminis (Lionel Meunier)etc. … Passionate by the inventive music and the unlimited possibilities of the viola da gamba, Robin Pharo worked with Jazz band such as The Jungles Key and Note Forget the Project. He collaborates with the choregrapher Thierry Thieu Niang and composes the music of the show Au Cœur, programmed at the festival d’Avignon, in 2016. He works presently with contemporary composers such as Philippe Hersant (with whom he creates Hypnos), Rika Suzuki, Yassen Vodenitcharov and Jean-Marc Chouvel (with whom he creates Les Trois ailes du papillon). He also loves improvising in different styles, and in April 2012, he’s invited to accompany Bobby McFerrin, on the stage of Châtelet theater, in Paris.

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L’Anonyme Parisien

L’Anonyme Parisien

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L Ramezan

Layla Ramezan

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L Ramezan

For many years, Iranian pianist Layla Ramezan has been searching for and creating links between her Persian heritage and the contemporary music that is a part of her daily life.

As a concert pianist, Layla performs regularly in France and Switzerland, as well as in many places further afield. She has recently appeared in recitals at the Collège des Bernadins in Paris, Carnegie-Mellon University in Pittsburgh, Victoria Hall in Geneva, Royal Irish Academy in Dublin, Aga Kahn Museum in Toronto, Roodaki Hall in Tehran, Hafez Hall in Shiraz, and at major festivals such as the Athénéennes in Geneva, the Schubertiade in Sion and the Alba Music Festival in Italy. Her con-certs have been broadcast on Radio France, RFI, Radio Suisse Romande, NPO Radio Netherlands and CBC Radio Canada, Deutschlandfunk Kultur, WDR 3 Kultur and Norway Radio.

Along with her solo projects, Layla has had the privilege to work with many prominent musicians such as William Blank, Helmut Deutsch, Jean-Claude Pennetier and Philippe Albera and has per-formed with Jean-Marc Luisada, Eliane Reyes, Christophe Beau, Brigitte Balleys and Trio Chemi-rani . She has also worked closely with composers such as Tristan Murail, Luis Naon, Nicolas Bolens and Michael Jarrell.

As the pianist in the contemporary music ensemble “Matka” which is based in Geneva, she is the driving force behind several intercultural musical projects, bringing together Iranian, French, Swiss and American composers for global conferences, residencies and concerts. Layla was a member of the jury for the tenth edition of the Youth National Festival of Music in Tehran. She is a founder and the Artistic Director of the Barbad Piano Prize in Shiraz, Iran. As well as her interest in promot-ing her own cultural heritage, she has played for the United Nations in Geneva for a special event to raise awareness of violence against women organized by ten African ambassadors.

Layla is currently preparing a four-part CD series on the Paraty label for her project, 100 years of Iranian Piano Music. The first CD of this quartet, Iranian Composers from 1950, was released in January 2017 and the second one, Sheherazade has been released in May 2019.

Layla’s sound, her phrasing, her sensitivity to rhythm and a refined interpretation are the feature qualities of her piano playing. Her unique point of view has been formed by the intersection of two cultures, in both of which she feels comfortable. Layla is continually searching for new ways to ex-press herself by allowing the oriental and occidental influences to inspire and complement each other.

Layla started her piano studies in Tehran with Mustafa-Kamal Poutorab, Raphael Minaskanian and Debar Hakimova before moving to Paris in 2000 to study at the École Normale de Musique de Par-is “Alfred Cortot” with Jean Micault and Devi Erlih with a scholarship. She also studied with Jacquel-ine Bourgès-Maunoury and Christophe Bukudjian at the Conservatoire National de Saint-Maur des Fossés, where she obtained a diploma of Music Studies with high distinction. She then moved to Lausanne, Switzerland, where she currently lives, obtaining two Master’s degrees in Interpretation and Collaborative Piano from the Haute École de Musique with Christian Favre and Marc Pantillon.

Layla Ramezan is a Laureate of the Engelberts Foundation for Art and Culture in Switzerland and the Albert Roussel Foundation in France.

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Sheherazade by Alireza Mashayeskhi

Sheherazade by Alireza Mashayeskhi

Layla Ramezan plays 100 Years of Iranian Piano Music

Layla Ramezan plays 100 Years of Iranian Piano Music

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AAder

Alice Ader

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AAder

Alice Ader is a graduate of the Conservatoire National Supérieur de Musique de Paris (unanimous first prize in 1963) and of the Akademie für Musik und Darstellunde Kunst of Vienna (Reifeprüfung in 1970, with special mention from the jury). She studied with Geneviève Dehelly and Jasques Fevrier (in France) and with Bruno Seidlhofer (in Austria from 1967 to 1970).

She was a winner in the Marguerite Long International Competition.

Several periods of study in Salzburg allowed her to explore the world of Lieder, and active involvement with this repertory was a vital addition to her solo career.

Alice Ader has given recitals and played concertos both in France and abroad, in well known places like Mozarteum, Konzerthaus (Vienna), Gulbenkian, Théâtre St Louis (Lisbon) Gaveau, Châtelet, Théâtre des Champs Elysées, Salle Messiaen (Paris), La Monnaie (Brussels), Musée des Beaux Arts (Madrid), Wigmore Hall (London), Düsseldorf, Prague, Budapest, Moscow…

She plays as a soloist for radio and television : Radio France, the BBC, Radio Lisbon, BBC Canada, Südwestfünk…

In the last few years, she has done a lot of recordings, Debussy, Messiaen, Hersant… All of them have been greated with the highest acclaim and most have been awarded prizes.

Those last time, she recorded the Art of fugue (live CD), the complete Moussorgsky piano works, Sonatas of Scarlatti and soon will be recording Maurice Ravel works for piano.

Alice Ader plays as well contemporary music and the classical repertory.

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Música Callada

Música Callada

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1 - Portrait Jay 2 @ Nina Bernfeld

Fuoco E Cenere, Jay Bernfeld

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1 - Portrait Jay 2 @ Nina Bernfeld

Now in its fteenth year, Fuoco E Cenere has established itself as an arena for sensational musical adventures. The ensemble has ever since retained an often remarked daring in its choice of repertoire. Eager to preserve the unique freshness of the concert-going experience Fuoco E Cenere has devised quite a number of original entertainments, including recent intriguing mixes of music and puppetry, or music and haute cuisine.

Story telling through song and translating emotions and dreams into music are the missions we have readily accepted. In our musical laboratory we eagerly juxtapose, metamorphose outstanding works, permitting the listener to view these gems of a bygone era in a new light, frequently imagining entertainments that delight both young and old, the novice and the connoisseur.

Spurred on by director Jay Bernfeld’s love of song, Fuoco E Cenere has been pleased to collaborate with many of today’s nest voices as well as the stars of tomorrow. The ensemble is proud to have presented several forgotten masterpieces to an appreciative public. The ensemble boasts ten recordings covering 1000 years of music. Fantasy in Blue – Purcell meets Gershwin was hailed by Le Monde as a ‘veritable knock- out’. The ensemble’s recording of Marco da Gagliano’s little known masterpiece La Dafne was awarded the prestigious Orphée d’Or by the Académie du Disque Lyrique, and unanimously lauded by international critics.

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Jacques Morel, pièces de viole (1709)

Jacques Morel, pièces de viole (1709)

Folies d’Espagne, Marin Marais

Folies d’Espagne, Marin Marais

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Ens Hemolia

Ensemble Hemiolia

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Ens Hemolia

Based in northern France, Hemiolia Ensemble was created in 2008 by cellist Claire Lamquet. More than a hundred concerts in France and Europe shaped the tone from the set of variable geometry room on historically informed instruments and whose most musicians have studied in both France and Italy.

Lamquet Claire graduated from the Lille National Conservatory, the National Conservatory of Paris and the Bellini Conservatory in Palermo.
She is the founder and artistic director of the Ensemble Hemiolia, with whom she recorded the composer’s work northerner Marie Alexandre Guenin (critically acclaimed recordings: Diapason and 4 5/5 Muse Baroque). She obtained in June 2010 Jacolin-Dufresne Award Fondation de France for this work.
Passionate about chamber music, she released a CD in 2013 dedicated to the work for string trio romantic composer Pierre Crémont (Socadisc Distribution) with Concordia Ensemble and a CD “Handel” with the Ensemble Hemiolia ( NewArts International Distribution).
Claire Lamquet occurs in many concert seasons and festivals in France and abroad (Saintes festival, Toulouse les Orgues Festival, Mozart Festival in Augsburg, Suona Francese Festival, Festival dei Saraceni, Liaisons Musicales festival, Embaroquement Instant festival, festival Ars Terra, International Festival Harpe en Avesnois, Maison de la Radio …).
With the trio Concordia, she was invited for a tour in Russia (September 2014: Moscow, St. Petersburg, Rybinsk, Jaroslav) with trios Pierre Crémont. The tour was dubbed an educational project with the Baroque Orchestra of the Moscow Conservatory, which occurred with the trio Concordia in a program of French music after 3 work days around Peter Crémont.
She published an article for the journal eighteenth century (Marie-Alexandre Guenin between Enlightenment and Romanticism – éd.PUF), and collaborated on the book “The Italian violin” (Opera of Dijon, Harmonia Mundi).
Claire Lamquet holds a degree in philosophy. Holder of the State Diploma as arts and winner of the Competition of the Territorial Civil Service, she teaches part-time at the Conservatoire d’Arras.

 

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Sonates pour violoncelle et basse continue, Giorgio Antoniotto (Milan 1681 – Calais 1766)

Sonates pour violoncelle et basse continue, Giorgio Antoniotto (Milan 1681 – Calais 1766)

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JBM0010∏Jean-Baptiste Millot

Quatuor Manfred

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JBM0010∏Jean-Baptiste Millot

In 1986 four musicians, graduates of internationally renowned institutions (Julliard School, New York – Geneva Conservatory – National Conservatory, Paris) decided to found the Manfred Quartet. As early as 1989 the quartet won two prestigious international competitions: Banff (Canada), becoming the first European string quartet to win first prize there, and Evian (France), which made the Manfred the leading prize-winning French quartet of its generation.

Thus the Manfred Quartet has been invited to play with a large number of well-known musicians: Mstislav Rostropovich, Yuri Bashmet, Tatiana Nikolaieva, Bruno Canino, Anne Queffélec, Jean-Claude Pennetier, Claire Désert, Nicolas Bône, Raphaël Oleg, Florent Héau, Pascal Moraguès, Paul Meyer, Romain Guyot, Raphaël Pidoux, Marc Coppey, Manuel Fischer-Dieskau, Xavier Phillips, Jean-Paul Fouchécourt, Pierre-Yves Pruvot…

For 30 years, the Manfred Quartet has shared its passion and its performances with audience not only in France but also in Germany, the Netherlands, England, Italy, Spain, the United States, China, Indonesia, Singapore and Chile.

The Manfred Quartet’s discography reflects its attachment to the romantic repertoire and to early 20th century composers. Its recordings of Berg (ffff Télérama), Schoenberg, Janacek, Smetana and Prokofiev met with great critical acclaim, as did those of Schumann, Mozart (5 Diapasons) and Chausson (4 Diapasons, 4 stars Classica).

Since 1986, the Manfred Quartet is in residence in Dijon where it has created its own season. After having played the complete works for string quartet of Haydn, Schubert and Beethoven, the Manfred Quartet is now presenting all the Mozart and Jadin string quartets. Its partnership with Palazzetto Bru Zane – the French romantic music Centre, in Venice – leads the Manfred Quartet to play works of little-known composers such as T. Gouvy, G. Onslow, G. Samazeuilh, much appreciated by a keen to discover other repertories.

The desire to broaden its musical horizons has led the Quartet to develop projects with jazzman Raphael Imbert and his group Nine Spirit resulting in two recordings: Bach-Coltrane (Zig-Zag Territoires 2008) and Heavens, (Mozart and Duke Ellington – Harmonia Mundi 2013).

Also, with the singer Marion Rampal, the Quartet has created a programme of 1930’s music – cabaret and film (Bye Bye Berlin! at the Grand Théâtre, Dijon Opera, in January 2015). A new recording of this repertory is due in November 2016 adding another element to the Quartet’s already considerable discography.

In order to continue sharing its enthusiasm for chamber music, the Manfred Quartet founded in 1994 « Musiques » en Voûtes », an itinerant festival in the four provinces of the Burgundy region, which combines national heritage and chamber music. Thus the Quartet, often with prestigious guest artists, gives concerts under the romanesque arches of churches or chapels in small villages and reaches out to a new public.

It has always been important for the Manfred Quartet to work with young musicians. The « Musiques en Voûtes » festival has for many years included a chamber music workshop and improvisation sessions with the jazz saxophonist Raphaël Imbert. Then in 2014 the Quartet created a season « Hors les murs » in partnership with music schools in the Côte-d’or province of Burgundy, combining teaching sessions with very young musicians and concerts. These events, but also numerous masterclasses in France and abroad, give the Manfred Quartet the possibility to pass on to the next generation of musicians not only what they learnt from their teachers but also from their own experience over the years.

The Manfred Quartet receives support from the Ministry of Culture and Communication through the Regional Council of Burgundy.

 

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Clairs de Lune|Berlioz & Fauré

Clairs de Lune|Berlioz & Fauré

Quatuor Manfred / Schumann & Tchaïkovsky

Quatuor Manfred / Schumann & Tchaïkovsky

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