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Arsys Bourgogne / Mihály Zeke

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arsys

Directed by the young conductor Mihály Zeke, Arsys Bourgogne is a vocal ensemble whose mission is to perform everything from early choral music to contemporary compositions. Founded in 1999 by Pierre Cao, who conducted the ensemble for 15 years, Arsys Bourgogne has a rich history filled with quality and excellence. The ensemble is comprised of 8 to 16 singers and takes on six centuries of a cappella vocal repertoire as well as choral works with orchestra.

Since taking on the artistic direction in 2015, Mihály Zeke has brought Arsys Bourgogne into new and original choral music experiences. He is interested in forging links between Early and New music by creating strong relationships with today’s composers, such as Alexandros Markeas and Benoît Menut.

From Claudio Monteverdi to Olivier Messiaen, through Johann Sebastian Bach Giacinto Scelsi and Philippe Hersant, Arsys Bourgogne’s programs showcase composers from different eras in order to bring a new sense of meaning to each work. The ensemble also proposes new multidisciplinary programs that have elements of dramaturgy and staging. With a rich history of performing oratorios, Arsys pursues collaborations with well-known ensembles such as La Fenice, Les Surprises and accentus. These joint efforts enhance and expand the ensemble’s repertoire and allow for performances of works such as the Monteverdi Vespers, Handel’s Dixit Dominus or Mozart’s Vesperae solennes de confessore.

Arsys Bourgogne is strongly committed to pedagogical activities and provides professional development to young singers who are enrolled in Music Conservatories or Écoles Supérieures de Musiques, such as the ESM Bourgogne-Franche-Comté.

Arsys Bourgogne rehearses and performs regularly in Vézelay with rehearsals open to the public and concerts in the Rencontres Musicales de Vézelay. Since 2015, Arsys Bourgogne has become a part of the «Public Establishment, La Cité de la Voix.

Arsys Bourgogne is supported by the Regional Council of Bourgogne-Franche-Comté, the Ministry of Culture and Communication (DRAC Bourgogne-Franche-Comté) the Departmental Council of the Yonne.

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Copie de 030522 2866a (2)

Aurélienne Brauner & Lorène de Ratuld

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Copie de 030522 2866a (2)

Aurélienne Brauner, violoncelliste website
Aurélienne Brauner a été nommée super-soliste à l’Orchestre National de France en 2021.
Elle se produit sur scène en Europe, aux Etats-Unis et en Asie, notamment à la Philharmonie de Paris, au Théâtre du Châtelet, au Théâtre des Champs-Elysées, à l’Auditorium de Bordeaux, au Palais des Beaux- Arts de Bruxelles, au Suntory Hall de Tokyo, au Théâtre de Tunis, Forum Grimaldi à Monaco, Conservatoire Tchaïkovski et Philharmonie de Moscou, Palazzetto Bru Zane à Venise, ainsi que dans plusieurs festivals en France et à l’étranger (festival de musique de chambre d’Oslo, Journées Ravel à Montfort-l’Amaury, festival d’Aix-en-Provence, festival 1001 Notes, Flâneries Musicales de Reims, Abbaye de Royaumont, Château d’Örbyhus en Suède…).
Révélation Classique de l’Adami en 2007, Aurélienne Brauner se voit remettre en 2009 le prix de la Fondation Del Duca par l’Académie des Beaux-Arts pour récompenser le début de sa carrière musicale. Aux Pays- Bas, elle a été sélectionnée par le « International Holland Music Sessions » en tant que « New Masters on tour » pour un concert au Concertgebouw d’Amsterdam (2010-2011).

En soliste, elle a joué avec l’Orchestre National de Lille, l’Orchestre de la Philharmonie de Baden-Baden, l’Orchestre de Douai/Région Nord-Pas-de-Calais, l’Orchestre National Bordeaux-Aquitaine et l’Orchestre de chambre de Lyon dans les concertos de Lalo, Haydn, Tchaïkovski, Dvorák et le Double concerto de Brahms avec Alexandra Soumm…
En musique de chambre, on a pu l’entendre aux côtés de Patrice Fontanarosa, Paul Katz, Svetlin Roussev, François Salque, Jean-Guihen Queyras, Maxim Vengerov, Thierry Escaich, Sarah Nemtanu… Avec le Trio Gallien, composé de Tristan Liehr (violon) et d’Emmanuel Christien (piano), elle remporte en février 2018 le 3e prix du prestigieux concours de musique chambre « Franz Schubert und die Musik der Moderne » à Graz, et, en septembre de la même année, le 1er prix et le prix du public au 23e concours « Gaetano Zinetti » à Vérone.
En 2016, son enregistrement consacré aux œuvres de David Monrad Johansen pour le label SIMAX Classic en Norvège a été nommé aux Grammy norvégiens (Spellemanprisen).

Lorène de Ratuld, pianiste website
Au fil des concerts et des enregistrements, Lorène de Ratuld donne à entendre un vaste répertoire :
centré sur la période romantique et la musique française, il fait aussi la part belle aux compositeurs et compositrices méconnus, aux œuvres rares ou inédites et aux compositeurs d’aujourd’hui (N. Bacri, K. Beffa, S. Bortoli, P. Farago, N. Mondon, F. Mulsant).
Élève de Brigitte Engerer, elle reçoit une riche formation au CNSMD de Paris : après son prix de piano avec mention Très Bien à l’unanimité, elle se perfectionne auprès de Jean-François Heisser (cycle de perfectionnement piano), Christian Ivaldi (musique de chambre) et Anne Grappotte (accompagnement vocal).
Lauréate du Concours International Piano Seiler en 2003, elle obtient en 2004 plusieurs prix au Concours International Piano Campus, dont celui du magazine Classica-Répertoire qui publie son premier récital (CD « Découverte »). En 2005, elle reçoit le Prix Lucien Durosoir avec Geneviève Laurenceau et, en 2011, le Prix Pro Musicis.
En récital ou en musique de chambre, Lorène de Ratuld est l’invitée des festivals d’Auvers-sur-Oise, Piano à Auxerre, Matinales d’Arles, Serres d’Auteuil, Piano en Valois, Festival Berlioz, Festival de l’Epau, Festival 1001 Notes, Journées Ravel à Montfort-l’Amaury, Moments musicaux de Chalosse… et se produit également en Allemagne, Autriche, Belgique, Italie (Fondation Bru Zane), Roumanie, Suède et dans différents pays d’Afrique.
Outre son activité en duo avec Aurélienne Brauner, elle joue aux côtés du violoniste François Pineau-Benois, des chanteuses Roselyne Martel-Bonnal et Valérie Condoluci, et des Solistes de l’Orchestre de Chambre de Paris et de l’Orchestre de Bordeaux-Aquitaine. Attirée par le théâtre, elle participe à plusieurs spectacles du chanteur et comédien Mario Hacquard.
Sa discographie reflète ses choix artistiques et son engagement auprès de différents artistes et labels : Récital Dutilleux/Beffa (« Coup de Cœur » de l’Académie Charles Cros), Œuvre pour violon et piano de L. Durosoir (« Gramophone recommends »), Sonates pour violoncelle et piano de C. Franck, G. Fauré et L. Vierne avec Aurélienne Brauner. Récemment ont paru Piano Works de F. Mulsant (« 5 Étoiles » de Classica) et l’intégrale de L’Œuvre pour piano de J. de La Presle (« 5 Diapasons »), inédite au disque.

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Benoit Babel

Benoît Babel

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Benoit Babel

Born in 1988, Benoît Babel studied at the conservatories of Bordeaux and Rueil-Malmaison, and then at the conservatoire de Paris in the class of Noëlle Spieth. Benoît Babel teaches the harpsichord at the conservatoire de Versailles and participates as faculty at the Académie baroque international du Périgord noir (direction Iñaki Encina Oyón). In 2014, with the ensemble Zaïs that he directs from the harpsichord and in collaboration with Paul Goussot, he recorded a program of concertos for organ and orchestra by G.F. Handel and J.P. Rameau. This recording is available at paraty.fr. With the violinist and conductor Johannes Pramsohler, he participated in the première of the opera Croesus by Reinhardt Kaiser (2020, Paris, Théâtre de l’Athenée) and Theodora by Handel (2021, Buenos Aires, Teatro Colón).

website Benoit Babel

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blaise ubaldini

Blaise Ubaldini

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blaise ubaldini

Blaise Ubaldini
A truly original musical personality, Blaise Ubaldini is one of the most promising French composers of his generation. His expressive and uniquely inspired music shifts between an insatiable desire for vitality and colour, and a search for depth and authenticity.
A musician with an eclectic background, a clarinettist who plays improvised music and rock, he has rubbed shoulders with outstanding soloists from all musical genres, including classical, contemporary, jazz, and world music, and has used his works to create unexpected musical encounters.
In the monodrama Bérénice, performed at IRCAM in 2014, alongside the Swiss actress Caroline Imhof and the Ensemble Intercontemporain Soloists, he explored an unprecedented osmosis between theatre and music. In 2016, he performed Love song for a long-term hatred with the Israeli trombonist Alon Stoler and the Chémirani Trio, a prestigious ensemble of Iranian percussions. He has collaborated as a clarinettist, then an arranger, with the Tunisian brothers Amine & Hamza Mraihi, virtuosos of the oud and the qanun, and cellist Vincent Ségal on the album Fertile Paradoxes.
His works introduce unconventional and extra-instrumental elements into musical discourse, as well as texts, songs, and onomatopoeias, like so many authentic behaviours or gestures, forever questioning the nature and memory of being and of music alike.
One example is his wind quintet In the backyard premiered in 2018 by the Ensemble Intercontemporain soloists at London’s Wigmore Hall and dedicated to two characters from Twin Peaks, the signature television series by American director David Lynch.
Introduced to composition by William Blank in Lausanne, he joined the class of Michael Jarrell and Luis Naón in Geneva, followed by Ircam in Paris for two years. During this period he met the conductor Pierre Bleuse who directed his chamber opera 4.48, for which he was awarded the Prix Nouveau Talent Musique SACD 2013, as well as the soprano Tatiana Probst with whom he created Sunbathing for voice and electronics at Ircam.
He holds a degree in Indian studies from Lausanne University’s Faculty of Oriental Languages and Civilizations, and has been working on languages and the voice for many years. He has recently begun writing texts, a kind of literary counterpoint that reveals what is at stake in the shadows of his musical works in the spotlight. His collaborators include the Ensemble Intercontemporain, conductor Pierre Bleuse, the Collegium Novum Zürich, the Orchestre de Chambre de Genève, soprano Lisa Tatin, the Lucerne Festival Alumni Ensemble, soprano Kornelia Bruggman, the Indiana University New Music Ensemble, clarinetist Jean-Marc Fessard, the vocal ensemble Exaudi, the CH.AU company, the Matka ensemble, and the duo Interférences.

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1-HD_JBM2552(c)Jean-Baptiste Millot

Bruno Procopio

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1-HD_JBM2552(c)Jean-Baptiste Millot

Following his studies at the Paris Conservatory (CNSMDP) with Pierre Hantaï and Christophe Rousset, conductor and harpsichordist Bruno Procopio has pursued a varied and active international career. His activities as music director, soloist, and chamber musician have been enriched by his unusual talent for cultural entrepreneurship. In 2007 he founded the record label Paraty Productions – distributed worldwide by Harmonia Mundi – whose business model was recently praised in a feature article by Le Monde (“L’économie baroque du disque de classique”, 3 March 2016). Procopio is also co-owner of one of France’s most influential classical music websites: ClassiqueNews.

Bruno Procopio works in close collaboration with the Versailles Baroque Music Center (CMBV) to bring French Baroque repertoire to major South American opera houses and orchestras, with whom he has a long-standing special relationship.

A regular guest conductor of the Simón Bolivar Symphony Orchestra of Venezuela, Bruno Procopio recorded the album “Rameau in Caracas” which received multiple distinctions including Classica Magazine’s “Choc” Award and 5 stars from Diapason Magazine. The recording was selected as Album of the Week by both Le Figaro in France and Classic FM in the U.K.

Prestigious orchestras such as the Brazilian Symphony Orchestra (OSB), the Manaus Opera Orchestra of Brazil, the Liège Royal Philharmonic Orchestra, “Les Siècles” Orchestra and Chorus, the Simón Bolivar Symphony Orchestra of Venezuela and numerous other institutions have benefited from his expertise.

Always enthusiastic to share his knowledge, Procopio has given masterclasses in universities across Latin America including Rio de Janeiro’s UNIRIO, Simón Bolívar University in Caracas, and Chile’s Catholic University. He was also a guest at Beijing’s Central Conservatory, and regularly teaches harpsichord at the Accademia Villa Bossi in Italy.

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Cover

Camille Seghers & Alexis Thibaut de Maisières

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Belgo-French cellist Camille Seghers comes from a very musical family. She has been invited as soloist for recitals all around Europe and Russia. She is now teaching at IMEP and in music schools in Belgium.
As a soloist she has had the pleasure of being invited to perform with the Brussels Philharmonic Orchestra, the Nuove Musiche, and Ensemble Orchestral of Brussels,…
Camille also gives International masterclasses in music educational centers such as Conservatoire de Liègeand the Moscow Tchaikovsky Conservatory.
In the field of Chamber Music, she has collaborated with many musicians, Alexis Thibaut de Maisières of course, but also: Philippe Raskin, Quatuor Alfama, Nicolas Dupont,… She is often invited by music festivals and renowned cultural events.
She co-directed the editing of Henri Duparc’s cello sonata, world premiered with Delatour, recorded in her first cd.
Camille holds a Master’s degree, obtained with high distinction from the Royal Conservatory of Brussels in Didier Poskin’s and Edmond Baert’s classes, and a Solo & Chamber Music Master degree obtained with highest distinction from Musikhochschule of Köln with Claus Kanngiesser, as well as a Didactic Master at Arts2 in Mons (BE).
She was given the prize of « Prix du patrimoine de la ville de Bruxelles » and decided to perfect her art in Paris and Freiburg with masters Eric Le Sage and Francois Salque.
Ever since, Camille has been invited to take part in numerous International Masterclasses.

Alexis Thibaut de Maisières performs as a soloist, chamber musician and accompanist. He has been invited to perform in venues such as Flagey, Saint-Petersburg Philharmonic, as well as the Salle Alfred Cortot in Paris and at the Conservatoire de Bruxelles. He has played with the Ensemble Orchestral of Brussels, the Young Belgian Strings and the Orchestra of Togliatti Conservatory in Russia.
Alexis trained for six years at the Rimsky-Korsakov Conservatory in Saint-Petersburg under the tuition of Leonid Tamoulevitch. He also went on to study with Stanislav Soloviev, Anne Queffélec, Eugène Galand, Jean-Marc Vinckenbosch, Jacques Rouvier and Jean-Bernard Pommier.
Later, he obtained a Didactic Master and a Master in Accompaniment at Arts2.
Passionate about chamber music, Alexis often plays chamber music in duo or with various ensembles. In 2022, he founded the Festival Archipel in Belgium, where he works as artistic director.
Alexis has also been chosen as jury member for the International Piano Competition in Togliatti (RU).
Teacher and accompanist in various music schools in Belgium, he was asked to teach masterclasses in Moscow and Polenovo (RU).
Alexis also writes his own arrangements of Bach, Wagner, Brel, Dyens, Tchaïkovski, as well as Russian folk songs, Chopin…where he likes to challenge and mix different musical styles together.

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Fisbach Panzl

Carl-Emmanuel Fisbach & David Christopher Panzl

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Fisbach Panzl

Born to a bicultural French-South American artistic family, Carl-Emmanuel Fisbach has consistently sought to explore and expand the saxophone’s repertoire. Above and beyond the more traditional works he performs as a soloist (Auvergne Orchestra, Ekaterinburg Philharmonic) and within the Denisov and Azar Duos, he collaborates regularly with composers and ensembles (Ensemble intercontemporain, Red Note Ensemble), and is a member of the “Futurs composés” network dedicated to new music. He integrates transcriptions into his repertoire, including tango. This open and eclectic approach has led to invitations to perform in international festivals (Flâneries Musicales de Reims, Festival Archipel Geneva, Shanghai Oriental Arts Center, and Suntory Hall Tokyo). His recordings feature Hispanic repertoire (Duo Azar, PAI Records, 2011) and new works for saxophone and cello (Denisov Duo, Meyer Foundation, 2014). Carl-Emmanuel Fisbach teaches at the Conservatoire of Calaisis, is a guest Professor at the Conservatoire of Lima, and has given master-classes throughout Europe, South America and Asia. A graduate of the Paris Conservatoire, he is a prize-winner in several national and international competitions.

The Austrian multi-percussionist David Christopher Panzl began his training at the age of four. He performed his first solo recital at the age of 13 together with the Philharmonic Orchestra Bad Reichenhall. During his school-days he visited New York several times in order to study Jazz. Thereafter Panzl moved to Vienna to complete his studies as a concert percussionist at the Conservatory of Vienna Private University under Professor Anton Mittermayr, where he received his Master of Arts with top honours in 2013. Lastly he studied Marimba in Tokyo at the Toho Gakuen School of Music under Keiko Abe. He is currently a teaching assistant at the University for Music and Performing Arts Vienna and leads masterclasses worlwide. He is also jury member at several international competitions. As a soloist David Christopher Panzl has performed at Suntory Hall Tokyo, the Seoul Art Center, the Vienna Konzerthaus and at the opening festivities of the Salzburg Festival. He has collaborated with exceptional artists such as Keiko Abe, Nebojsa Zivkovic, Jeff Queen and orchestras such as Sarajevo Philharmonic, Bad Reichenhall Philharmonic, German Chamber-Orchestra Berlin.

website Carl-Emmanuel Fisbach

website David Christopher Panzl

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Capture d’écran 2016-04-21 à 22.16.08

Cindy Castillo & Aurélie Franck

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Capture d’écran 2016-04-21 à 22.16.08

Cindy Castillo

High-spirited and inspiring, Cindy Castillo has been raising her visibility on the international scene of young organists through her concerts on four continents. She conceives her programs along original thematic lines and transports her audience into another world due to the passionate commitment of her interpretations. Beyond her “classical” concerts, both as a soloist and as part of chamber music, Cindy Castillo equally explores possible dialogues at the cutting edge between the organ and other artistic languages, prominently among them dance, video and electronic music. After graduating from the conservatories of Brussels, Namur, Strasbourg and Paris, she became a laureate of foundations such as Rotary, Vocatio, Wernaers and de Lacour, as well as being invited as artist in residence at Sapporo Concert Hall in 2008-2009. In addition to her activities as a performer, Cindy Castillo is also a producer and host at Musiq3, the Francophone classical radio station in Belgium.

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Aurélie Franck

Aurélie Franck graduated from the Royal Conservatory of Brussels (singing), from the INSAS (theater staging) and received many prizes (Viñas, Rheinsberg Festival, Yamaha, Belgian Foundation ‘Vocatio’). She performed as a soloist at prestigious venues such as the Palais des Beaux Arts (Bozar) in Brussels, Royal Opera of Versailles, Opéra-Comique & Auditorium du Louvre in Paris & festivals like the Festival de Wallonie, Chamonix, Les Musicales de Normandie, Innsbrucker Festwochen der Alten Musik… As a contemporary musician, she had among others the opportunity to create the Passio secundum Lucam of Claude Ledoux in the Cathedral of Brussels & the mezzo soprano part in the opera Paulus by Thomas Jennefelt (co-production with the Deutsches Theater of Berlin) She was the solo mezzo soprano in Kopernikus (Claude Vivier) in a co-production between De Nederlandse Opera, Enoa & Vocaallab and sang together with the Asko/Schoenberg Ensemble in Het Concertgebouw Amsterdam.

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trytone-happy

Collectif Trytone

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trytone-happy

Collectif Trytone : Founded in 2016 by pianist Lucie de Saint Vincent, the Collectif Trytone came together around the idea of a musical synthesis, seeking to open the borders between musics, musicians, and the public. The Collectif explores a universe of possibilities, aiming to break down both stylistic and musical barriers. Meeting at the intersection of Baroque, Classical music and jazz, mixing different kinds of improvisations, this unconventional quintet creates a symbiosis between these genres and practices, bringing the music of the past into a contemporary context. Back to Bach, the Collectif’s first album, draws on the music of J.S. Bach as a wellspring of inspiration.

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